Guillaume Delisle / Covens & Mortier. “Carte d’Afrique Dressée pour l’usage du Roy Par Guillaume Delisle …” [Map of Africa drawn for the use of the king…] (Amsterdam: Covens & Mortier, c. 1730–42). Double-page copperplate engraving with original outline hand color. 19 x 24 1/2 in. to neatline. Sheet: 20 3/8 x 25 1/4 in. Strong impression; bright color; even toning; marginal wormhole, l/l; scattered light spotting. Fine.
$1,600.00
“Guillaume Delisle . . . shocked the geographical world out of its complacency . . . He shifted land masses and moved islands to the consternation of his elders, but all such radical changes were made on the basis of information usually obtained by astronomical observation or actual surveys.” —Lloyd Brown
This is one of the greatest maps of Africa conceived during the early eighteenth century, and provides a fascinating study of Africa in this period. Larger tribal territories outlined in color include areas such as Barbarie, Nigeria, Guinea, while within these areas separate realms are delineated with dotted lines.
The cartography along the coasts is relatively accurate, while the interior is still largely myth and conjecture. At the time this map was drawn, European colonization was largely confined to the northwest coast. Until 1730, the Royal African Company of Great Britain held a monopoly over trade in West Africa, mainly focused on slave trade.
Guillaume Delisle’s map of Africa would go on to serve as a model for many other mapmakers to follow, including those of Johan Matthias Hase. The Dutch firm of Covens & Mortier copied and published many of Delisle’s maps, giving full credit to the famous mapmaker, as in the present example.
Delisle’s superiority as a mapmaker arose in part from his utilization of observations made at the Royal Observatory of Paris. The establishment of the Académie Royale des Sciences in 1666 had ushered in a new era of scientific methods, and Guillaume Delisle (1675–1726) was instrumental in France’s ascent to dominance in the science of cartography. He had been tutored by his learned father, Claude, apprenticed to Jean-Dominique Cassini, and was considered to be a prodigy. Louis XIV sought out Guillaume to tutor his son, the future Louis XV. Guillaume Delisle specialized in maps of North America and was given access to original manuscripts of French explorers, and in some cases interviewed the explorers themselves.
The Amsterdam publishing firm of Covens and Mortier was the successor to the extensive publishing empire build by Frenchman Pierre Mortier (1661–1711). Upon Mortier’s death, his firm was taken over by his son, Cornelius Mortier (1699–1783). Cornelius married the sister of Johannes Covens (1697–1774) in 1821 and, partnering with his brother in law, established the Covens and Mortier firm in Amsterdam. Under the Covens and Mortier imprint, Cornelius and Pierre republished the works of the great 17th and early 18th century cartographers De L’Isle, Allard, Jansson, De Wit, and Ottens among others. They became one of the largest and most prolific Dutch publishing houses of the 18th century, issuing as Covens and Mortier (1721–1778), J. Covens and Son (1778–94) and Mortier, Covens and Son (1794–c. 1862).
Ref: Rumsey, no. 4638.087.



Our gallery in Santa Fe is open Monday through Saturday, from 10:00 AM to 5:00 PM. We are also happy to arrange a private viewing by appointment. Please call us to schedule a time that is convenient for you.
Currently, our online inventory is available for purchase by inquiry only. Due to the unique and often delicate nature of each piece, we prefer to connect with you directly to ensure the best service. If you are interested in an item you see on our website, please contact us by phone or email to arrange the details of your order.
We specialize in historically significant antique maps, fine art prints, paintings, and rare books. Our primary focus is on the exploration, settlement, and culture of the American West. We take pride in offering curated pieces that are not only aesthetically compelling but also rich in historical context.
Absolutely. We believe in complete transparency and are happy to provide detailed condition reports, additional high-resolution images, and any known provenance (history of ownership) for any piece in our collection. Please contact us with the specific item you are interested in, and we will promptly provide all available information.
Yes, we ship worldwide. Every piece is handled with the utmost care and is professionally packed either in-house or by trusted fine art handlers to ensure its safe arrival. All of our shipments are fully insured for their value. We can provide you with a shipping quote upon inquiry.
We are always interested in acquiring high-quality pieces that align with our gallery’s focus on the American West and historical cartography. If you have an item or a collection you believe would be a good fit, please email us with clear images and any information you have about its history.